Honey Honey Video Song Salman Khan Feat Divya Khosla Kumar Roop Johri Kunal GanjawalaIn this archive feature from Uncut’s May 2003 issue (Take 72), rock’s greatest living soap opera tell the story of how they went to hell and back to bring the world some of the most popular, and most perfect, hard-centred easy listening music of all time. Daddy Cool Hi Honey Ho by Superyob. The song was covered by Fleetwood Mac on their 1970 album Kiln House under the name Hi Ho Silver and erroneously credited to Fats Waller and Ed Kirkeby in confusion with a song of the same title released by Waller in 1939 (Waller died in 1943, ten years before the Turner song was. Honey Hush is a song written and recorded by Big Joe Turner (although copyrighted to his wife Lou Turner) in 1953.Featured peformers: Stevie Nicks (vocals), Lindsey Buckingham (guitar, vocals, recording engineer), Christine McVie (keyboards, synthesizer, vocals), John McVie (bass), Mick Fleetwood When Mick Fleetwood rang Lindsey Buckingham on New Year’s Eve, 1974, and invited him to join Fleetwood Mac, the move seemed born of desperation.Fleetwood Mac builds on its formidable legacy as one of rocks most legendary acts as they re-visit their most ambitious album with an expanded edition of.Recently relocated to LA, the band’s star had waned since the glory days of Peter Green, and when guitarist, singer and composer Bob Welch had abruptly left what was the group’s ninth lineup in eight years, the future looked bleak indeed – particularly as Heroes Are Hard To Find, the band’s final album with Welch, had barely sold enough copies “to pay Warner Brothers’ electric light bill”, as Fleetwood puts it.Across town, prospects for the Buckingham-Nicks duo looked equally unpromising. Rated 22 in the best albums of 1979, and 1987 of all-time album. Released 19 October 1979 on Warner Bros. And their lives… Words: Nigel WilliamsonTusk, an Album by Fleetwood Mac.Buckingham had been playing “California Dreamin’” at a party and Nicks simply started singing with him. Their ‘dream team’ introduction appeared to make their subsequent relationship inevitable. Although she had grown up in Phoenix, Arizona, Nicks (born in May 1948) had first met Buckingham when she transferred to high school in San Francisco in 1966. He taught himself guitar (he still doesn’t read music) and by 1968 found himself playing bass in a local Bay Area band called Fritz.Buckingham in turn recommended to them a young singer called Stevie Nicks.
Video For Honey Hi By Fleetwood Archive Feature FromBut with no real marketing or promotion, it died a death. A record deal with Polydor resulted in the 1973 album Buckingham Nicks. By 1971, Fritz had split, and Buckingham and Nicks – by now lovers as well as musical soulmates – moved to LA. It’s very possible that I would have gone back to school and Lindsey would have gone back to San Francisco.”Mick Fleetwood, meanwhile, was searching for a new guitarist to replace the departed Welch, when he ran across Buckingham Nicks at Sound City Studios. “I was really tired of having no money and being a waitress. And when you really feel that way about somebody, it’s very easy to take your own personality and quiet it way down.”But by late 1974, Nicks was “within weeks” of returning to her parents’ home in Phoenix, and contemplating a return to college.“If we hadn’t joined Fleetwood Mac would Lindsey and I have carried on and made it?” she asks today. I was totally devoted to making it happen for him. “And as I watched him become more brilliant every day, I felt very gratified. Nicks swiftly reassured him.“I said, ‘We can always quit. Stupid me, eh?” Buckingham jokes today.Fleetwood was so convinced that Buckingham was his man that he swiftly agreed to take them both – although he promised Christine McVie that she had a veto if she disliked Nicks.Initially, the guitarist had reservations about submerging his musical personality in an already established band – particularly as he had not been a fan of the Bob Welch-era Fleetwood Mac. I had to explain we came as a duo. That was as far as his thinking went. But Fleetwood Mac already had a female singer in Christine McVie, so his initial invitation was merely to the guitarist.“He was standing there grooving to this searing guitar solo and he needed a guitar player. Yet it was not necessarily the most stable.What Buckingham and Nicks had failed to reveal to their new colleagues was that, although they came as a team, their relationship was already falling apart at the seams. The 10th, and most enduring, of Fleetwood Mac’s multiple lineups was in place. Christine McVie immediately took to the new girl, declaring Nicks to be “a bright, very humorous, very direct, tough little thing”. Difference between photoshop for mac and windowsThe Buckingham-Nicks teaming brought a pile of songs with them and the difference they made to the sound was immediately evident.Best of all was Nicks’ “Rhiannon”, a dreamy, bewitching song with an insistent guitar motif from Buckingham that swiftly came to define the new Fleetwood Mac. But if we’d broken up within the first six months of Fleetwood Mac there would have been no record and we would have been in big trouble, so when we joined the band we took the decision to hang in there.”Within three weeks of the Mexican restaurant meeting, Fleetwood Mac were in Sound City Studios in LA. Our relationship was already in dire straits. “I had already moved out of our apartment a couple of times and then had to move back in because I couldn’t afford it. Everybody knew everything about everybody and I was definitely piggy-in-the-middle,” Fleetwood recalls. “But somehow Mick was there, the figurehead – ‘We must carry on, let’s be mature about this, sort it out.’”It was a typically brave attitude, for the drummer had problems of his own, with his marriage to Jenny Boyd disintegrating.“By the time we got to Rumours, the emotional rollercoaster was in full motion and we were all in a ditch. “Everybody was pretty weirded out,” Christine McVie told Cameron Crowe in a landmark 1977 Rolling Stone cover story. But initially they were two women alone in a man’s world. “The one thing we had in common, which bound us together, was a sense of humour through all the pain.”Later on, neither were short of female company as hairdressers, wardrobe mistresses and make-up artists were added to the extravagant Fleetwood Mac touring circus. I didn’t have to actually work with my ex-spouse.”While it was left to Fleetwood to console a very unhappy John McVie, the two women, who might so easily have been rivals, developed a mutual support society.“We’re totally different, at complete opposite ends of the personality spectrum,” Christine McVie told me in Detroit during the 1997 reunion tour. “At least I was spared the in-house, up-front situation. It was a total mess and that’s how we made the album.”Fleetwood concedes that he had just one consolation denied to the other couples. Me and Chris decided we couldn’t be there. “There were girls everywhere and everybody was completely drunk the whole time. “That house was like the riot house,” Nicks tells Uncut. Nicks and Christine McVie spent only one night under the same roof as the band’s male members. And because there was this chaos going on with me and Lindsey, the band gave me a friend in this woman and I could hang out with Christine.”When they had first arrived in San Francisco at the beginning of the year-long process that was the recording of Rumours, the Record Plant provided a house for the band’s living accommodation. “We had to end up being close because otherwise it was just hang out with the guys all the time. “He’d be walking up and down the corridor, very upset, screaming her name, and she’d be hiding in my room,” Nicks recalls.
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